It is well and truly time that I developed some new pieces to add to my suite of creepies who haunt my cube space. After making the Jinkx and Trixie dolls, an idea began to bubble in my head. It should have been obvious. It wasn’t. It has become a real-life thing and you can now find zombie dragbots aka drag queen dolls at in.cube8r gallery in Fitzroy.
The zombie queens developed after making several humanesque drag queen dolls. They have also made the journey south – hopefully with brains intact – and are also available to purchase. I’ll see how they are received, but really hope that it’s positive as I really enjoy making them.
*** As I was adding the product information to my online stock list, I note that the middle queen in pink (above) has been purchased. A good sign that I will get to make more!
I am very sorry. I have have been a naughty member of the in.cube8r gallery community in 2018. As I have spent the first seven months of this year completely engrossed in my major project pieces, I have entirely neglected my cube space. I'm lucky that I had replenished it mightly and that there has been a reasonable supply to make a display. Big thank you to Elle-May and Clairebear for helping to make my cube look its best and for being so understanding with my distraction.
I have time to get back into my favourite mode: making my little creepies. The first mission: beer cosys!! I'm a tad rusty and needed to refer to my pattern notes to get the ball rolling again. I will get a bunch together and ship them pronto. I'm concerned about the shipping process though. I have had such terrible luck with packages being delayed en route to Fitzroy. I'll have to pay attention to which method to use this time.
Best I cease this typing business for now though. I have hooking to do!
My bestie Helen has been in charge of removing me tree jumpers on my behalf for all of the past few years. But this year I was able to be in town to take down Squink myself. Fun FAct: Installing a tree jumper may take two or three hours, but it takes about 20 minutes to uninstall.
The bestest thing about Jumpers and Jazz in July for 2018 was being tagged in photos of people with Squink. So, so, so cool. The tree jumper exhibition is a wonderful opportunity to get interactive - without damaging - the jumper. Please take note for next year patrons! I want to see all your photos!
Another first for me this year, I took Squink into my work to show my colleagues a 'live' tree jumper. They have seen and heard all about it from me for months. I'd like to think that their minds were suitably blown.
Here are few of the posts of punters with Squink and one very positive review that Someone shared with me.
Even though I get very very nervous presenting to a group of people, this workshop proved to be a tonne of fun. Karina from the Warwick Art Gallery asked if I would conduct a class as part of the Jumpers and Jazz in July event programme. I said yes straight away. As the days grew closer to D-Day, I was surprised at how low my panic meter was registering. The calm feeling remained in me even on the day of the class. 30 minutes to go the bubbles fizzed, but I still felt excellent and relaxed.
I'm fortunate to have eight of the loveliest women attend. There were even celebrities of sorts in the room. Warwick personality and prolific wearable art practitioner Helen Newton was the first to arrive. Helen has an exhibition of her wearable art in Jacqui's Cafe. Then Narelle Mercer, the back-to-back winner of the festival theme section, walked in. I experienced a significant fangirl moment and felt thrilled to meet the woman responsible for two of my all-time favourite tree jumpers.
We had a great time, and everything went fabulously well. Perhaps the focus of the class was not solely all about crochet this time. I had chosen to work through the methods that I had used to produce my work. The crochet project was a small, fun activity that introduced the possibilities of making different items from t-shirt yarn. Every attendee completed a piece; most started on a second. I call that a result!
Running workshops is something that I would really like to be involved in with greater regularity. My nerves are the only thing holding me back. This positive experience has given me the courage and zest to look to work on something in the future.
I haven’t posted anything about my World of Wearableart entry for 2017. The reason for this is that it still stings that I was not selected for the show this year. I have been devastated, embarrassed and kind of in denial about it. I’m typing this on the day that the awards show will be happening. My WOW mates are in Wellington. They went to Designer’s Day activities yesterday. I’m really feeling the loss of not being a part of it all. From the sadness though I take strength in determination to do better next year. I also see that life goes on. My friends still like me and that there is life beyond not having been selected in WOW for one year. It just simply can never happen again!
This was my entry in the UV Section Illumination Illusion: Fly, Float, Flow
BoBo is a mutated glow bug. If I could do over I would add black detailing to the wings or a thousand other things. BoBo will see the light in a display of some form in the future.
Just completing an entry by the start of April was the target I set myself when I first conceived to enter in the World of Wearableart. The 25th Anniversary Show in 2013 saw my first attempt at putting together an entry. Gary was the product of my imagination. He made it to the stage as a finalist in the Weta Workshop: Crazy curiosities of the creature carnival section. Placing third in my section in this year’s show is almost too beyond my expectations I can barely fathom what just happened!
WoW 2014. This year I completed two entries in two separate sections: Children’s (one colour) and Bizarre Bra. A designer I met last year at WoW, and have since claimed as my friend, suggested submitting a bra to help with the chances of selection for judging.
I had a rough idea in my head how I wanted my creature to end up looking. I start with feet. The feet determined the character and kinda set the mood for the rest of the body. It was while I was working out the first foot that I thought they looked rather like Hobbit feet. I came up with the garment’s name “Hobart” from this. Shhh! Please don’t tell Sir Richard Taylor though!
The hands and arms were created next along the creation path. The head and face were next. I’ll be honest. Hobart looks much more alienesque than I had anticipated. My original sketches had him looking far more ancient, mystical and peaceful. It came to be that I was creating a teenage yeti, not the old wise sage as I intended out to make. Which as I type this I realise it was pretty silly of me. It is the children’s section after all!
The body. The back flowed easily down from the head. Including all the scales which I had made separately proved challenging. In the end I was thrilled with how they looked. He has to have a tail and a chubby belly. I had designed the costume to be in 2 parts for ease of access for the performer. As I progressed I worked him out to be just a one piece dude.
Fast forward to current day. I arrived home from Wellington last night. Hobart would have been bouncing about the stage at TSB Arena as the plane’s wheels hit the tarmac. My WoW journey is nearly at an end for this year. Hobart and the WoW show have a few more performances yet to perform though. I bring home the joy of having placed in my section. I was on the stage and accepted my award from the Dame Susie Moncrieff. I have interacted with all the designers from New Zealand and the rest of the world. I fan grrrled out and met the wonderfully talented designers I admire David Walker (Lady of the Wood), Lynn Christiansen, Shaun Purucker, Svenja and Michelle Yeager & Tim Merz. My head is swirling with possible concepts for 2015. I’m tired but happy, thrilled in fact!
And! Hobart made it in to the 2015 WoW Entry Kit booklet! Holy moly!
As a designer entering in the World of Wearableart you have two great big waits.
Entries must be uploaded by the cut off date at the start of April. A quick week goes by before you learn your fate. You are either unsuccessful and keep your entry, or you’re in the next round of judging so you ship it to Nelson in New Zealand. This is the start of the first wait. The results are sent mid July. It’s a good 3 months until you receive the notification on whether your entry will be in the WoW show or not.
The second and bigger, longer wait is until the completion of the Awards Show ceremony at the end of September. It’s another 2 and half months later ( 5 and half all up) before Designers can publicly share their creations with the world. An it is not a moment before the Awards show has completed with prizes and announcements issued. At the post-show supper aka party an “official” announcement was made, “Designers! You can now share your images!”.
It is with great anticipation and pride that I can finally reveal my two entries in the 2014 World of Wearableart. I have tinkered with the images which I used to enter the competition. I am very, very grateful to my friend Ben Nichols for capturing the stunning photos. And to my equally stunning friend Rocky Reed for agreeing to model my crochet brain eating zombie bra.
Thank you Thank you Thank you Thank you Thank you Thank you Thank you Thank you
A chance error in posting images to the wrong Facebook page has lead to a few of my pieces now haunting L’Artté in Port Douglas, Far North Queensland.
The initial delivery consisted of a small contingent of Ritual de la Voodoo dolls and a 5 man team of Skulkas. Hopefully they’ll be snapped up quickly ready for another batch to follow in their footsteps.
I have been negligent in my postings and maintenance of my site. Post World of Wearableart in Wellington 2013 has been a busy busy time for me and my crochet hooks. And just when I started tot feel the glow of all that WoW was fade I received an email from the team. I can now share images of my garment “Gary” in action during the show.
For those playing along at home you have probably thought “this isn’t what she normally does”! And you are 100% correct! I have made a mess of reproducing people previously. But this Lady is one turned out wa-ay better than I could’ve dreamt, drawn or hoped!
Crochet Gaga was a custom order for a friend’s daughter. Allie lurves Lady Gaga. Just quietly I have been delaying making her as I didn’t have 100% faith in my abilities. I think it’s the eyes that I struggle to get right. Monster eyes are a cinch! The devil is in the details. Getting human eyes correct is something that I will continue to work on and improve. Gaga wearing sunnies sure helped.
The lips are another “part” I have botched up before. I worked out a different technique this time around. I am super happy with how they look and will certainly be replicating them in future projects.
As for a pattern… well, I started writing as I went. There are ones for the arms, legs and about half the body. Once I got into the swing of it I stopped writing as I went. Oh well. Guess that makes her a one off piece.
A suggestion filtered through to me about making a Kylie. In a former life I was a super huge fan of Kylie Minogue. I still love her, but not as hard as I once did. Thinking about making her has made me feel all warm. Think I’ll be streaming Kylie tunes today. It’ll be a nice break from my rockabilly infatuation for the past few months…
A quick Google search for crochet Kylie Minogue dolls revealed only Kyles in crochet outfits. Not a amigurumi doll to be seen. Hmmmmm niche market? As a wise gal once sang “Better the devil you know”