Hobart the White is in fact the 3rd! …the inside story

Hobart-the-White_wow300

Oh. My. Goodness.

Just completing an entry by the start of April was the target I set myself when I first conceived to enter in the World of Wearableart. The 25th Anniversary Show in 2013 saw my first attempt at putting together an entry. Gary was the product of my imagination. He made it to the stage as a finalist in the Weta Workshop: Crazy curiosities of the creature carnival section. Placing third in my section in this year’s show is almost too beyond my expectations I can barely fathom what just happened!

WoW 2014. This year I completed two entries in two separate sections: Children’s (one colour) and Bizarre Bra. A designer I met last year at WoW, and have since claimed as my friend, suggested submitting a bra to help with the chances of selection for judging.

I had a rough idea in my head how I wanted my creature to end up looking. I start with feet. The feet determined the character and kinda set the mood for the rest of the body. It was while I was working out the first foot that I thought they looked rather like Hobbit feet. I came up with the garment’s name “Hobart” from this. Shhh! Please don’t tell Sir Richard Taylor though!

toes foot-plan

foot-beginings foot-to-legHobart_b&w3

The hands and arms were created next along the creation path. The head and face were next. I’ll be honest. Hobart looks much more alienesque than I had anticipated. My original sketches had him looking far more ancient, mystical and peaceful. It came to be that I was creating a teenage yeti, not the old wise sage as I intended out to make. Which as I type this I realise it was pretty silly of me. It is the children’s section after all!

The body. The back flowed easily down from the head. Including all the scales which I had made separately proved challenging. In the end I was thrilled with how they looked. He has to have a tail and a chubby belly. I had designed the costume to be in 2 parts for ease of access for the performer. As I progressed I worked him out to be just a one piece dude.

Fast forward to current day. I arrived home from Wellington last night. Hobart would have been bouncing about the stage at TSB Arena as the plane’s wheels hit the tarmac. My WoW journey is nearly at an end for this year. Hobart and the WoW show have a few more performances yet to perform though. I bring home the joy of having placed in my section. I was on the stage and accepted my award from the Dame Susie Moncrieff. I have interacted with all the designers from New Zealand and the rest of the world. I fan grrrled out and met the wonderfully talented designers I admire David Walker (Lady of the Wood), Lynn Christiansen, Shaun Purucker, Svenja and Michelle Yeager & Tim Merz. My head is swirling with possible concepts for 2015. I’m tired but happy, thrilled in fact!

Hobart-the-White_stuff.co.nzAnd! Hobart made it in to the 2015 WoW Entry Kit booklet! Holy moly!

 

WoW 2014 >>> The Big Reveal!

As a designer entering in the World of Wearableart you have two great big waits.

Entries must be uploaded by the cut off date at the start of April. A quick week goes by before you learn your fate. You are either unsuccessful and keep your entry, or you’re in the next round of judging so you ship it to Nelson in New Zealand. This is the start of the first wait. The results are sent mid July. It’s a good 3 months until you receive the notification on whether your entry will be in the WoW show or not.

The second and bigger, longer wait is until the completion of the Awards Show ceremony at the end of September. It’s another 2 and half months later ( 5 and half all up) before Designers can publicly share their creations with the world. An it is not a moment before the Awards show has completed with prizes and announcements issued. At the post-show supper aka party an “official” announcement was made, “Designers! You can now share your images!”.

Wow-waiting flow chart

It is with great anticipation and pride that I can finally reveal my two entries in the 2014 World of Wearableart. I have tinkered with the images which I used to enter the competition. I am very, very grateful to my friend Ben Nichols for capturing the stunning photos. And to my equally stunning friend Rocky Reed for agreeing to model my crochet brain eating zombie bra.

Thank you Thank you Thank you Thank you Thank you Thank you Thank you Thank you

Section: BIZARRE BRA :: Title: BRA_AAAAINSBra-aaains, Bizarre Bra, zombieBra-aaains, Bizarre Bra, ZombieSection: CHILDREN – one colour :: Title: HOBART THE WHITE

WoW, Crochet Yeti

WoW, Crochet Yeti

 

Close Encounters WINNER!!

images of 2013 tree jumper

‘Tis Jumpers and Jazz in July season. The tree jumpers are installed and the winners have been announced. This week was simply INCREDIBLE for me. On Tuesday I was informed that my entry into the World of Wearableart (WOW) 2013 has made it in to the show. Friday night brought the announcement that my tree jumper entry was named the winner of the Excellence in Knitting/Crochet section for Jumpers and Jazz in July. I can only express my complete and utter shock on hearing my named called. The standard of work this year is absolutely incredible. There are some simply stunning entries. With both my phone and camera batteries both drained, I struggled to capture all the beauty. I did snap two of my faves. Follow the link to the Warwick Daily News tree jumper gallery to see more

These are 3 of my favourites….

Chickens-Day-OutA gorgeous ode to her little darlings in Chickens Day Out by Karina Devine

LichenSue Bauer’s lichen inspired beautifulness (image sourced from Warwick Daily News)

Misty-HillsAnd the sheer expertise and excellence in execution of craft by Helen Gross with her representation of her family’s property “Misty Hills”

Thank you Jumpers and Jazz for filling my heart and confidence with warmth. I am humbled and grateful for the recognition.

I have absolutely NO IDEA what to do for next year. The cogs are turning and I will start work on it in a couple of months…