My bestie Helen has been in charge of removing me tree jumpers on my behalf for all of the past few years. But this year I was able to be in town to take down Squink myself. Fun FAct: Installing a tree jumper may take two or three hours, but it takes about 20 minutes to uninstall.
The bestest thing about Jumpers and Jazz in July for 2018 was being tagged in photos of people with Squink. So, so, so cool. The tree jumper exhibition is a wonderful opportunity to get interactive - without damaging - the jumper. Please take note for next year patrons! I want to see all your photos!
Another first for me this year, I took Squink into my work to show my colleagues a 'live' tree jumper. They have seen and heard all about it from me for months. I'd like to think that their minds were suitably blown.
Here are few of the posts of punters with Squink and one very positive review that Someone shared with me.
The wonderful people at in.cube8r have profiled me in their blog. you can view the complete interview HERE I sell my pieces exclusively through in.cube8r.
The other most excellent news is that in.cube8r now have an online store! So, if you like me, don’t live near Fitzroy you can make your way online to purchase many of the wonderful pieces of AWESOME they curate in store. That of course means my critters are also available. % items at a time are featured. You can also click HERE to view them.
I love in.cube8r. I sell my pieces exclusively through in.cube8r Gallery in Fitzroy. Isy and Clare have been very supportive of my craft. Clare takes care of all of the interstate artists. Clare makes sure all our cubes look great and provides advice on what is and isn’t doing well in store. She told me that someone was in looking for a tea cosy and asked if had considered making creepy cute tea cosys? I hadn’t. I’ve made a few tea cosys in my crochet past; mainly when I was learning. At first I couldn’t fathom how to make them. I let the idea wash away as I thought it was too hard and that I couldn’t do it. Clare was persistent though. I made one that I hated and then two more that were a little better. I sent them off. They sold within a week. Shock. And of course the one Ihated was the first find a new home.
Beer cosys have been a regular in my cube space for about 12 months. Now that I think about it it makes perfect sense that I should have a tree cosy or two in my repertoire. I have also recently included a couple of egg cosys to the range. Each cosy is unique. I make and replace as they sell. Check out my cube space at in.cube8r or contact me for custom orders.
Oh. My. Goodness.
Just completing an entry by the start of April was the target I set myself when I first conceived to enter in the World of Wearableart. The 25th Anniversary Show in 2013 saw my first attempt at putting together an entry. Gary was the product of my imagination. He made it to the stage as a finalist in the Weta Workshop: Crazy curiosities of the creature carnival section. Placing third in my section in this year’s show is almost too beyond my expectations I can barely fathom what just happened!
WoW 2014. This year I completed two entries in two separate sections: Children’s (one colour) and Bizarre Bra. A designer I met last year at WoW, and have since claimed as my friend, suggested submitting a bra to help with the chances of selection for judging.
I had a rough idea in my head how I wanted my creature to end up looking. I start with feet. The feet determined the character and kinda set the mood for the rest of the body. It was while I was working out the first foot that I thought they looked rather like Hobbit feet. I came up with the garment’s name “Hobart” from this. Shhh! Please don’t tell Sir Richard Taylor though!
The hands and arms were created next along the creation path. The head and face were next. I’ll be honest. Hobart looks much more alienesque than I had anticipated. My original sketches had him looking far more ancient, mystical and peaceful. It came to be that I was creating a teenage yeti, not the old wise sage as I intended out to make. Which as I type this I realise it was pretty silly of me. It is the children’s section after all!
The body. The back flowed easily down from the head. Including all the scales which I had made separately proved challenging. In the end I was thrilled with how they looked. He has to have a tail and a chubby belly. I had designed the costume to be in 2 parts for ease of access for the performer. As I progressed I worked him out to be just a one piece dude.
Fast forward to current day. I arrived home from Wellington last night. Hobart would have been bouncing about the stage at TSB Arena as the plane’s wheels hit the tarmac. My WoW journey is nearly at an end for this year. Hobart and the WoW show have a few more performances yet to perform though. I bring home the joy of having placed in my section. I was on the stage and accepted my award from the Dame Susie Moncrieff. I have interacted with all the designers from New Zealand and the rest of the world. I fan grrrled out and met the wonderfully talented designers I admire David Walker (Lady of the Wood), Lynn Christiansen, Shaun Purucker, Svenja and Michelle Yeager & Tim Merz. My head is swirling with possible concepts for 2015. I’m tired but happy, thrilled in fact!
As a designer entering in the World of Wearableart you have two great big waits.
Entries must be uploaded by the cut off date at the start of April. A quick week goes by before you learn your fate. You are either unsuccessful and keep your entry, or you’re in the next round of judging so you ship it to Nelson in New Zealand. This is the start of the first wait. The results are sent mid July. It’s a good 3 months until you receive the notification on whether your entry will be in the WoW show or not.
The second and bigger, longer wait is until the completion of the Awards Show ceremony at the end of September. It’s another 2 and half months later ( 5 and half all up) before Designers can publicly share their creations with the world. An it is not a moment before the Awards show has completed with prizes and announcements issued. At the post-show supper aka party an “official” announcement was made, “Designers! You can now share your images!”.
It is with great anticipation and pride that I can finally reveal my two entries in the 2014 World of Wearableart. I have tinkered with the images which I used to enter the competition. I am very, very grateful to my friend Ben Nichols for capturing the stunning photos. And to my equally stunning friend Rocky Reed for agreeing to model my crochet brain eating zombie bra.
Thank you Thank you Thank you Thank you Thank you Thank you Thank you Thank you
A chance error in posting images to the wrong Facebook page has lead to a few of my pieces now haunting L’Artté in Port Douglas, Far North Queensland.
The initial delivery consisted of a small contingent of Ritual de la Voodoo dolls and a 5 man team of Skulkas. Hopefully they’ll be snapped up quickly ready for another batch to follow in their footsteps.
I know that my critters are loving their time in my cube at in.cube8r. And I am so thrilled to be part of such a wonderful space. It was a thrill for me to see this feature pop up in Facebook.
My pieces have been turning over steadily since we moved in on Valentine’s day. I am currently developing some new creations to add to the collection. Sadly the yarn I used to create the Voodoo King (above) has been discontinued. I have used up my stash so I am in limbo until I can source an alternative. Hopefully with the onset of winter yarn suppliers will be launching new product to suit. In anticipation I spent an afternoon making loads of skull beads to adorn future kings.
That said I found a sole skein of the Voodoo King yarn in a sale bin. I have made one king with it; and plan to make a few more to send to the my cube.